Title of the Film: Retro
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Date of Release: May 1, 2025 123telugu.com Score: 2.75 out of 5.
Starring: Prakash Raj, Nassar, Jayaram, Joju George, Karunakaran, Suriya, Pooja Hegde, and others
Karthik Subbaraj, director
Producers: Suriya and Jyotika
Director of Music: Santhosh Narayanan
Shreyaas Krishna, the cinematographer
Shafique is the editor. Ali Mohamed
Relevant URLs: Trailer
1 Vintage Vibes: Suriya in Spotlight”
With its promotional materials, Retro, which starred Suriya and was directed by Karthik Subbaraj, generated a lot of hype. Telugu is one of the languages in which the popular movie is currently showing in theatres. Check out our review to see the results.
2 “Rewind with Suriya: A Retro Ride!”
The narrative
Joju George plays Tilak, a renowned mobster who engages in smuggling. After falling in love with Rukmini (Pooja Hegde), his adoptive son Paarivel Kannan (Suriya) makes the decision to leave behind his criminal past, his familial ties, and his previous life in order to pursue peace. However, Paarivel is the only one who knows the location of the enigmatic “Gold Fish,” which Tilak is pursuing. With the assistance of King Michael’s (Vidhu) troops, Paarivel breaks out of prison after being arrested. The voyage that follows reveals Paarivel’s reason for fleeing, Vidhu’s motivations for helping, and the lengths Tilak would go to in order to satisfy his fixation with the Gold Fish. The narrative revolves around these responses.
3 Time Machine: Suriya’s Classic Magic”
Advantages:
Suriya gives a committed performance, wearing several outfits that fit the chronology of the narrative. He adds energy to important emotional situations and is convincing in action-packed scenes.
On screen, Pooja Hegde exudes elegance. She doesn’t have many opportunities to demonstrate her acting abilities, despite the fact that her role is important to the plot.
4 “Flashback Frames: The Suriya Saga”
Joju George does a respectable job within the parameters of his position. As the erratic antagonist, Vidhu makes an impression and heightens the suspense in the second part.
The single-shot scene before and after the Kannamma song is noteworthy, as are several of the action scenes that are done excellently. More significantly, the music of Santhosh Narayanan gives many scenes more vitality and emotional impact. The supporting cast does fairly well.
When Suriya Ruled the 80s (Again)”
Old is Gold: Suriya Shines Retro
On May 1, 2025, Old is Gold: Suriya Shines Retro, directed by Karthik Subbaraj and produced by Suriya and Jyotika, was released to a 2.75 out of 5 score on 123telugu.com. The film stars Prakash Raj, Nassar, Jayaram, Joju George, Karunakaran, Suriya, Pooja Hegde, and others. Santhosh Narayanan composed the music, Shreyaas Krishna handled the cinematography, and Shafique edited the film.
Points deducted:
The plot is unclear and attempts to balance a number of genres, including action, romance, and others. The viewer is left perplexed by Karthik Subbaraj’s main point as the film shifts from a love narrative to a crime drama and back again in the pre-climax.
Bell Bottoms and Blockbusters: Suriya Style!”
Reel Rewind: Rediscovering Retro Suriya”
One of the main problems is the narrative grasp. The movie had an interesting beginning but soon loses steam. The experience is disappointing, especially in the second half, which seems rambling and unfocused.
Many situations lack a significant emotional impact, and the narrative is shallow. The impact of crucial moments is diminished by the underdeveloped character arcs and connections.
Prakash Raj is limited to a few basic lines, Nasser is hardly used, and Jayaram’s involvement seems unimportant. With more robust prose,
Technical Details:
Suriya is portrayed as a hero in the genre-bending tale that director Karthik Subbaraj hopes to craft. Despite the obvious ambition, the picture suffers from a lack of structural discipline and narrative cohesion. The second half breaks under its own weight, while the first half is passable.
The cinematography of Shreyaas Krishna is adequate, with a few particularly noteworthy images. A notable feature is Santhosh Narayanan’s music, which gives usually boring passages vitality. Shafique Mohamed Ali’s editing should have been better; the flow is harmed by numerous moments that seem overly drawn out. Positively, the picture has good production qualities and a professional appearance.
Conclusion:
Overall, Retro is a love-action drama that has moments of greatness but struggles with execution. The film’s confused narrative and lacklustre second half detract from Suriya’s acting and soundtrack, which are unquestionably strong points. inevitably, what appears promising inevitably fades. Others could find it challenging to remain involved, except from Suriya devotees. If you watch it at all, do it with reasonable expectations.